In terms of architecture alone, this is one of the most impressive films in science fiction history. This much is certain: this Dune is a sumptuous treat for the eyes, with sets and costumes that were conceived with no apparent limits of budget or creativity.
Debate will continue as to which film is better Lynch's extensive use of internal monologue now seems like a challenge well met, and Harrison's more conventional approach is better equipped to convey the epic scope of Herbert's interplanetary political intrigue. Ironically, director John Harrison's 288-minute TV miniseries (broadcast on the Sci-Fi Channel in December 2000) offers its own share of strengths and weaknesses, which, in retrospect, emphasize the quality of Lynch's film while treating Herbert's novel with more comprehensive authority. It's a mixed blessing, but Frank Herbert's Dune goes a long way toward satisfying science fiction purists who scoffed at David Lynch's previous attempt to adapt Herbert's epic narrative.
